Does it Swing?

There’s a question every good jazz musician can answer just by listening to a song: “Does it Swing?” In this episode, we introduce several kinds of vintage and modern swing music: Swing Jazz, Western Swing, Gypsy Swing, and New Jack Swing and learn what music needs to have in order to “Swing.”

Swing Jazz

“Swing” took over the jazz world in the 1930s and became the music your great-grandparents danced to during World War II. In this episode, modern day Swing performers explain and demonstrate where Swing Jazz came from, why it was so popular, and where you can find it today.

Western Swing

In the 1930s, two types of American music, the rural Country/Western and the urban Swing Jazz, were combined to create Western Swing, a popular type of music that crossed racial boundaries. In this episode we’ll learn about the roots of Western Swing, and hear the music of its most famous performer, Bob Wills.

Gypsy Swing

Jazz is a purely American form of music. With one exception. In the 1930s, Hungarian guitarist Django Reinhardt created a unique form of jazz – Gypsy Swing – that mixed traditional Eastern European music with an American beat. In this episode, Gypsy Jazz violinist Tony Ballog introduces us to the music of Django Reinhardt and Gypsy Swing.

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Generous support for educational programs at the Kennedy Center is provided by the U.S. Department of Education.

Gifts and grants to educational programs at the Kennedy Center are provided by The Paul M. Angell Family Foundation; Bank of America; Capital One; The Morris and Gwendolyn Cafritz Foundation; Carnegie Corporation of New York; The Ednah Root Foundation; Genesis Inspiration Foundation; Harman Family Foundation; William R. Kenan, Jr. Charitable Trust; the Kimsey Endowment; The Kiplinger Foundation; Laird Norton Family Foundation; Lois and Richard England Family Foundation; Dr. Gary Mather and Ms. Christina Co Mather; The Markow Totevy Foundation; Dr. Gerald and Paula McNichols Foundation; The Morningstar Foundation; Myra and Leura Younker Endowment Fund; The Irene Pollin Audience Development and Community Engagement Initiatives;

Prince Charitable Trusts; Dr. Deborah Rose and Dr. Jan A. J. Stolwijk; Rosemary Kennedy Education Fund; The Embassy of the United Arab Emirates; The Victory Foundation; The Volgenau Foundation; Jackie Washington; GRoW @ Annenberg and Gregory Annenberg Weingarten and Family; and generous contributors to the Abe Fortas Memorial Fund and by a major gift to the fund from the late Carolyn E. Agger, widow of Abe Fortas. Additional support is provided by the National Committee for the Performing Arts..

The content of these programs may have been developed under a grant from the U.S. Department of Education but does not necessarily represent the policy of the U.S. Department of Education. You should not assume endorsement by the federal government.