Sun. Jan. 19, 2025 2p.m.

Terrace Theater

  • Runtime

    approx. 85 minutes, including a 15-minute intermission

  • View Details

Program

  • Abel Pereira, horn

  • William Gerlach, trumpet

  • Michael Harper, trumpet

  • Craig Mulcahy, trombone

  • Seth Cook, tuba

Carlos Simon
(b. 1986)
Fire! (NSO commission, world premiere) (6')
Malcolm Arnold
(1921–2006)
Brass Quintet No. 1, Op. 73 (15')
Betsy Bright
(b. 1981)
Western Suite (10')
 
Intermission

Victor Ewald
(1860–1935)
Brass Quintet No. 1, Op. 5 (15')
Leonard Bernstein
(1918–1990)
arr. Jack Gale
West Side Story Suite (20')

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The taking of photographs and the use of recording equipment are not allowed in this venue.

Terms and Conditions

All events and artists subject to change without prior notice.

Meet the Artist

Program Notes

©2024 Dr. Richard E. Rodda

Carlos Simon: Fire! (NSO commission, world premiere)

Carlos Simon was named Kennedy Center Composer-in-Residence in April 2021 and recently extended his tenure through the 2026–2027 season. During his residency, Simon will compose and present music for the National Symphony Orchestra and Washington National Opera, act as an ambassador for new music, and participate in educational, social impact, community engagement, and major institutional initiatives. With the 2024–2025 season, Simon also begins a three-year tenure as Resident Composer of the Boston Symphony Orchestra, the first in the long history of that ensemble.

Malcolm Arnold: Brass Quintet No. 1, Op. 73

Malcolm Arnold, one of England’s most talented and versatile musicians, was born in Northampton on October 21, 1921, and entered the Royal College of Music, London in 1938 as a scholarship student of Gordon Jacob in composition, Constant Lambert in conducting, and Ernest Hall in trumpet. In 1941, Arnold won the Cobbett Prize for Chamber Music Composition and joined the trumpet section of the London Philharmonic Orchestra (LPO); the following year he became Principal Trumpet of the LPO. After a stint in military service in 1944–1945 and a brief tenure with the BBC Symphony Orchestra, he returned to the LPO, where he came to be known as one of the country’s leading instrumental virtuosos for his performances of trumpet concertos by Haydn, Goedicke, Riisager, and others. In 1948, Arnold won the Mendelssohn Scholarship for study in Italy; he retired from the LPO that year to devote himself to composition and guest conducting. Much of his work during the years immediately following was for the cinema (he wrote 120 film scores—Bridge on the River Kwai won an Academy Award® in 1958; Inn of the Sixth Happiness, an Ivor Novello Award in 1959), but his later music ranges from opera and incidental music to orchestral, chamber, and vocal compositions. His many distinctions included honorary degrees from the universities of Exeter, Durham, and Leicester in England, Miami University of Ohio, and honorary fellowships in the RCM and Royal Academy of Music. He was made a Commander of the British Empire in 1970, awarded the Honorary Freedom of the Borough of Northampton, his birthplace, in 1989, and knighted in 1993. Malcolm Arnold died in London on September 23, 2006.

Betsy Bright: Western Suite

Betsy Bright, born in South Carolina in 1981, studied trumpet and composition at Shenandoah Conservatory in Winchester, Virginia, and became a member of the Tucson Symphony Orchestra upon graduating. Bright performs as well with the TSO Brass Quintet, Monsoon Brass, True Concord Voices & Orchestra, Britt Music Festival, Hot Springs Music Festival, Music in the Mountains (Colorado), Bay View Music Festival, and other American orchestras. She is also committed to teaching by maintaining a private trumpet studio, founding and directing the Tucson Brass Workshop (a non-profit annual summer chamber music workshop for all ages), and serving as instructor with the Tucson Symphony Young Composer Project. Bright has also published dozens of arrangements and several original compositions for brass ensembles.

Victor Ewald: Symphony No. 1 in B-flat minor, Op. 5

Victor Vladimirovich Ewald was, like his more famous Russian compatriot Alexander Borodin, a scientist and an amateur musician. Ewald, born November 27, 1860, in St. Petersburg, was a respected engineer who taught at the Institute of Civil Engineering in his native city from 1895 to 1915, but he seems to have devoted almost equal zeal to his musical avocations as to his profession. He studied composition with Nikolai Sokolov, one of Rimsky-Korsakov’s prize students at the Petersburg Conservatory, and probably received some advice from Rimsky himself. Ewald was skilled as a cellist and horn player, and regularly participated in the Friday “Quartet Evenings” at the home of the important publisher Mitrofan Belaiev, where he met such luminaries of Russian music as Borodin, Tchaikovsky, Glazunov, Scriabin, Liadov, and Rimsky-Korsakov. Ewald was also active as an ethnomusicologist and participated in expeditions to the north of European Russia to collect folk music; his daughter, Zinaida (1894–1942), carried on his efforts in that field, and published several collections of Russian folksongs in collaboration with her husband, Evgeny Gippius. After the Revolution, Ewald continued to work as a civil engineer. He died in Leningrad on April 26, 1935.

Leonard Bernstein (arr. Jack Gale): Suite from West Side Story

Leonard Bernstein, a native of Boston, had a productive fascination with New York City for much of his career. Besides being linked with that city’s major orchestra for many years as conductor and music director, the great metropolis also served as the inspiration for several of his original stage compositions—the ballet Fancy Free (1944), the musicals On the Town (1944) and Wonderful Town (1952), the score for Elia Kazan’s film On the Waterfront (1954) and the epochal West Side Story. The idea for West Side Story was suggested to Bernstein as early as 1949 by the choreographer Jerome Robbins, who envisioned a modern adaptation of Shakespeare’s classic Romeo and Juliet set in New York City. Bernstein was fascinated with the idea but could not find time to work on the project until the middle 1950s, beginning composition as soon as he had finished the brilliant score for the operetta/musical Candide . Stephen Sondheim, in his Broadway debut, supplied the lyrics, Arthur Laurents wrote the book and Robbins staged the show, which was finally completed in 1957. After try-outs in Washington and Philadelphia, West Side Story was unveiled on Broadway on September 26th and ran for almost two years. After a ten-month road tour, it returned to New York and closed on April 27, 1960 after a total of 732 Broadway performances. It was made into a film in 1961 that swept ten Oscars, including Best Picture, and has since entered into the pantheon of the American theater as one of the greatest musicals ever created.

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