Tue. Mar. 17, 2026 7:30p.m.
-
Tue. Mar. 17, 2026 7:30p.m.
-
Wed. Mar. 18, 2026 7:30p.m.

assimilating. Photo by Sugawara Kota
Terrace Theater
-
SERIES
Sponsors
Fred Eychaner Fund
C. Michael Kojaian
Suzanne L. Niedland
William J. Caldwell and Michele Toth
Artist’s Note
The double bill program for this American tour aims to fully reflect my approach to dance-making, expressing it through both my own body and through a method of movement that transcends myself.
This method focuses on the "forces" that naturally act on the body, rather than on the “shape” or “posture” of the dancer’s body. With the goal of freeing the dancer’s body from conventional “shape” or “posture,” I have improved this method together with my dancers. We deliberately treat the body as an undefined natural object, through which we explore the possibilities of the body and dance even deeper. In Moving State 1, the dancers perform as amorphous organisms, expressing their behavior through dance. The work explores the individuality, social interactions, and environment of these undefined beings.
In creating my solo work assimilating, I returned to the way I worked in the early stages of my career — that is, making all aspects of the piece by myself, from choreography to lighting, movement and video. I always create dance pieces from the perspective that the human body is a natural object. Through the interaction of natural objects and projected images generated by CFD (Computational Fluid Dynamics) technology, space itself behaves as a physical body, and the body becomes spatial. I aim to create a phenomenon where space becomes the body and the body becomes space, making the two integral to each other. My belief is that every “thing,” or medium, can be an object to choreograph on the common ground of force and movement. Based on this concept, I assemble the body/bodies and space as intertwined chorographic components. A space inhabited by a body composed of force and movement may possess expression, emotion, and even consciousness. I believe that consciousness and emotions are not exclusive to humans but are present in all things that exist.
I am extremely grateful to have this opportunity to perform in the United States again after more than a dozen years. With my belief that there must be a common value that can transcend national borders and cultural boundaries through the very primal medium of the human body, we will present ourselves on stage to American audiences. I hope that you will witness my work simply as part of a natural entity that transcends cultural and societal boundaries.
— Hiroaki Umeda, March 2026
Program
- Moving State 1
-
Choreography/Sound Design/Visual Design & Programming: Hiroaki Umeda
Performed by: Somatic Field Project- Yuki Nakamura
- Ikumi Otsuka
- Yu Suzuki
- Takara Nakamura
- assimilating
-
Choreography/Sound Design/Visual Design & Programming: Hiroaki Umeda
Performed by: Hiroaki Umeda
Production: S20
Producer: Suzuko Tanoiri
Acknowledgement:
The U.S. five-city tour of Hiroaki Umeda: assimilating and Moving State 1 is produced and organized by Japan Society, with support from Arts Council Tokyo (Creation Grant) and The Harkness Foundation for Dance.

Meet the Artists
About
Somatic Field Project is an initiative launched in 2014 by choreographer Hiroaki Umeda with the aim of nurturing young Japanese dancers and further developing his own movement methodology, the "Doutai (Kinetic) Method." Based on the training in this robust method, the project sets out to cultivate individual physical techniques and develop movements that utilize each dancer’s unique physicality, engaging in creative experimentation using those movements.
Staff
Dance Programming Staff
-
Director, Dance ProgrammingStephen Nakagawa
-
Assistant Manager, Dance ProgrammingEmily Pirozzolo
The Trump Kennedy Center Executive Leadership
Executive DirectorMatt Floca
Chief Financial OfficerDonna Arduin
Acting General CounselElliot Berke
Vice President of Human Resources LaTa’sha M. Bowens
Senior Vice President, MarketingRobin Osborne
Vice President, Public RelationsRoma Daravi
Vice President, EducationJordan LaSalle
Vice President, ProductionGlenn Turner
Interim Chief Information Officer Bob Sellappan
Staff for the Terrace Theater
Theater Manager Xiomara Mercado*
Head Usher Randy Howes
Production Manager Kate Roberts
Master Technicians Richard Haase and Susan Kelleher
Box Office Treasurer Ron Payne
*Represented by ATPAM, the Association of Theatrical Press Agents and Managers.

The box office at the Kennedy Center is represented by I.A.T.S.E, Local #868.
Steinway Piano Gallery is the exclusive area representative of Steinway & Sons and Boston pianos, the official pianos of the Kennedy Center.

The technicians at the Kennedy Center are represented by Local #22, Local #772, and Local #798 I.A.T.S.E., AFL-CIO-CLC, the professional union of theatrical technicians.
Thank You to The Trump Kennedy Center Supporters
The Trump Kennedy Center Board of Trustees
National Symphony Orchestra Board of Directors
The Trump Kennedy Center 50th Anniversary Committee
The Trump Kennedy Center President's Council
The Trump Kennedy Center International Committee on the Arts
President's Advisory Committee on the Arts
National Committee for the Performing Arts
National Symphony Orchestra National Trustees
The Trump Kennedy Center Circles Board
The Trump Kennedy Center Community Advisory Board
The Trump Kennedy Center Corporate Fund Board