Sat. Oct. 11, 2025 7:30p.m.

Terrace Theater
-
Runtime
110 minutes including intermission
Program
-
Pan American Symphony Orchestra
-
Sergio Alessandro Bušlje, Artistic Director & Conductor
-
Tango of the Americas
With
-
F-31 Tango Quintet, Adriana Salgado and Orlando Reyes, and Carolina Jaurena and Anton Domansky, dancers
- Marco Blandón
(1985 - ) - Primavera smog
- Joaquín Mora
(1905-1979) - Divina
- Carolina & Anton
- David Mira
(1985- ) - De quebrada a la playa
- Luis Bernstein
(1888-1966) - El abrojito
- Adriana & Orlando
- Pablo Jaurena
(1981- ) - Hogareño
- Sebastián Piana
(1903-1994) - Caserón de tejas
- Carolina & Anton
- Osvaldo Pugliese
- Recuerdo
- Juan Caldarella / Alejandro Scarpino
(1891-1978)
(1904-1970) - Canaro en París
- Adriana & Orlando
- Marco Blandón
- Nostalgia de lo no vivido
Intermission
- Damián Torres
(1977- ) - Vivita y coleando
- Carlos Gardel / Alfredo Le Pera
(1890-1935)
(1907-1935) - Volver
- Carolina & Anton
- David Mira
(1985) - Serenata a la gorda
- Taro Hakase
(1968 - ) - Watashi
- Adriana & Orlando
- Astor Piazzolla
(1921-1992) - Noposepe
- Angel Villoldo
(1861-1919) - El porteñito
- Carolina & Anton
- Marco Blandón
- Tres Otoños
- Juan de Dios Filiberto
(1885-1964) - Quejas de bandoneón
- Adriana & Orlando
- Angel Villoldo
- El Choclo
This concert is made possible in part from funding from the D.C. Commission on the Arts and Humanities, and with the support of the Embassy of the Argentine Republic.
Patrons are requested to silence cell phones and other electronic devices during performances.
The taking of photographs and the use of recording equipment are not allowed in this venue.
Terms and Conditions
All events and artists subject to change without prior notice.
This event is an external rental presented in coordination with the Trump Kennedy Center Campus Rentals Office and is not produced by the Trump Kennedy Center.
Meet the Artists
Pan American Symphony Orchestra
The Pan American Symphony Orchestra (PASO) was founded over two decades ago by Argentine conductor and musician, Sergio Alessandro Buslje, with the objective of bringing Latin American symphonic music to Washington, DC concert halls. Over the years, PASO has performed symphonic music originating from Latin America with an on-going concert series that showcases gifted Latin American musicians and soloists. With critical acclaim from the press and a loyal following from the public, PASO remains on the cutting edge of symphonic performances with newly commissioned works, such as Danzón no. 7, by contemporary Mexican composer, Arturo Marquez, who dedicated this beautiful piece to Maestro Buslje. The orchestra has performed music by Latin American women composers, and was the first orchestra in the Washington, DC area to perform the unusual, but beautifully melodic, tango-opera, Maria de Buenos Aires, by Astor Piazzolla. PASO has featured rarely performed works by composers from Argentina, Honduras, Mexico, Ecuador, Cuba, and Brazil. PASO is perhaps best-known for its tango performances. The only tango orchestra in the United States, PASO draws audiences from across the U.S. for its annual DC Tango Festival with its variety of tango-themed events and its signature finale tango show at the Kennedy Center.
F-31 Tango Quintet
The F-31 Tango Quintet was formed in Medellín in 2011, following the initiative of local musicians who found in tango the expression of their urban experience. F-31's aesthetic is based on a knowledge of the history and tradition of tango, the interpretation and trends that marked tango’s evolution, and the study of composers who are key figures in this genre. Accordingly, F-31 proposes a dialogue between this historical foundation and the creative contribution provided by the musicians' academic training and their experience in various world music venues.
About Tango
What is it about tango that it has held its popularity across the globe for more than a century? Jorge Luis Borges, the famous Argentine writer, described tango as "feeling that is danced”. It is this feeling that transcends national boundaries and different languages to make tango the world's most popular dance. Before tango was considered a "classy" dance with its music played by the best symphonic orchestras in the world, tango music was heard only in the immigrant neighborhoods of Argentina and Uruguay, in bars as well as brothels. At that time, in the 1880's, it was not romantic music. The tone was often dark and bitter with lyrics of political dissent. Where tango originated is often disputed but we do know that in its earliest forms in the 1890's, it was a derivation of the Cuban dance, the Habanera. However, it was the people of the Rio de la Plata, with their distinctive speech cadences, that gave the music its pronounced patterns and rhythms -- a double beat, with a syncopated accent on the second. The bandoneón was introduced to the tango in the early 1900's, by the European immigrants from Italy and Spain. It made the music, up until then played with piano, harp, flute, and guitars, more portable, as the musicians performed primarily in bordellos.
Pan American Symphony Orchestra Personnel
Violin
Sonia Garcia, concertmaster
Valerie Heller
Christina Wan
Mary Thulson*
Carrie Esko
Tetyana Royzman
Alexandra Fisher
Wayman McCoy
Susan Worrell
Nicolas Ahumada
Viola
Susan Russo*
June Hahn
Claudia Saucedo
Ashley Santori
Cello
Alan Saucedo*
Michael Hermann
Tim Thulson
Emily Doveala
Bass
Pete Ostle*
Sound Engineer
Jeff Gruber
Librarian
Paige Turner
Staff
Staff for the Terrace Theater
Theater Manager Xiomara Mercado*
Head Usher Randy Howes
Production Manager Kate Roberts
Master Technicians Richard Haase and Susan Kelleher
Box Office Treasurer Ron Payne
*Represented by ATPAM, the Association of Theatrical Press Agents and Managers.

The box office at the Kennedy Center is represented by I.A.T.S.E, Local #868.
Steinway Piano Gallery is the exclusive area representative of Steinway & Sons and Boston pianos, the official pianos of the Kennedy Center.

The technicians at the Kennedy Center are represented by Local #22, Local #772, and Local #798 I.A.T.S.E., AFL-CIO-CLC, the professional union of theatrical technicians.
Thank You Supporters
DC Commission on the Arts and Humanities
Latin American Music Center, Catholic University of America
Embassy of the Republic of Argentina
Embassy of Uruguay
The Mihir Desai Foundation
Ellen Bass and Hon. Michael Farrell
Paula and Horacio Verdun
Kathy Whalen
Dr. Linda Macri
Dr. Yvonne Lai
Maureen Dunn
Hon. Eric Tijerina
Claudia Tordini
José Francisco de Leon
June Hahm
LeeAnn Rees
Robert Nussbaum
Miguel Cordova
Denise Vanison
Rafael Inoa
Dr. Maria Dufau Catt
Hans and Anita Amhrein
Gisela Josenhas
Anne Jones
Michael Spatola
Shalev Weinstein
William Spieler
James Schenkenberg
Eileen Lange
Dr. Elaine Kelley
Richard and Marianne Spagna
Sandra Scioville
Ruth and Robert Feist
Peter Wan
Kristin Snyder
Irina Zabell
Blanca Cedillas
Manuel Lisandro Knight
Volunteers
Claudia Salvador
Daphne Ostle
Daniela Ochoa
Maureen Carrington
Ana Sofia Girarte
Clara Blomberg Rodriguez