Sat. Oct. 11, 2025 7:30p.m.

Tango: Pan American Symphony Orchestra Presents Tango of the Americas

Terrace Theater

  • Runtime

    110 minutes including intermission

  • Tickets & Info

Program

  • Pan American Symphony Orchestra

  • Sergio Alessandro Bušlje, Artistic Director & Conductor

  • Tango of the Americas

With
  • F-31 Tango Quintet, Adriana Salgado and Orlando Reyes, and Carolina Jaurena and Anton Domansky, dancers

 

Marco Blandón
(1985 - )
Primavera smog
Joaquín Mora
(1905-1979)
Divina
  • Carolina & Anton
David Mira
(1985- )
De quebrada a la playa
Luis Bernstein
(1888-1966)
El abrojito
  • Adriana & Orlando
Pablo Jaurena
(1981- )
Hogareño
Sebastián Piana
(1903-1994)
Caserón de tejas
  • Carolina & Anton
Osvaldo Pugliese
Recuerdo
Juan Caldarella / Alejandro Scarpino
(1891-1978)
(1904-1970)
Canaro en París
  • Adriana & Orlando
Marco Blandón
Nostalgia de lo no vivido
 

Intermission

Damián Torres
(1977- )
Vivita y coleando
Carlos Gardel / Alfredo Le Pera
(1890-1935)
(1907-1935)
Volver
  • Carolina & Anton
David Mira
(1985)
Serenata a la gorda
Taro Hakase
(1968 - )
Watashi
  • Adriana & Orlando
Astor Piazzolla
(1921-1992)
Noposepe
Angel Villoldo
(1861-1919)
El porteñito
  • Carolina & Anton
Marco Blandón
Tres Otoños
Juan de Dios Filiberto
(1885-1964)
Quejas de bandoneón
  • Adriana & Orlando
Angel Villoldo
El Choclo

 

This concert is made possible in part from funding from the D.C. Commission on the Arts and Humanities, and with the support of the Embassy of the Argentine Republic.

Patrons are requested to silence cell phones and other electronic devices during performances.

The taking of photographs and the use of recording equipment are not allowed in this venue.

Terms and Conditions

All events and artists subject to change without prior notice.

This event is an external rental presented in coordination with the Trump Kennedy Center Campus Rentals Office and is not produced by the Trump Kennedy Center.

Meet the Artists

Pan American Symphony Orchestra

The Pan American Symphony Orchestra (PASO) was founded over two decades ago by Argentine conductor and musician, Sergio Alessandro Buslje, with the objective of bringing Latin American symphonic music to Washington, DC concert halls.  Over the years, PASO has performed symphonic music originating from Latin America with an on-going concert series that showcases gifted Latin American musicians and soloists.  With critical acclaim from the press and a loyal following from the public, PASO remains on the cutting edge of symphonic performances with newly commissioned works, such as Danzón no. 7, by contemporary Mexican composer, Arturo Marquez, who dedicated this beautiful piece to Maestro Buslje.  The orchestra has performed music by Latin American women composers, and was the first orchestra in the Washington, DC area to perform the unusual, but beautifully melodic, tango-opera, Maria de Buenos Aires, by Astor Piazzolla. PASO has featured rarely performed works by composers from Argentina, Honduras, Mexico, Ecuador, Cuba, and Brazil. PASO is perhaps best-known for its tango performances. The only tango orchestra in the United States, PASO draws audiences from across the U.S. for its annual DC Tango Festival with its variety of tango-themed events and its signature finale tango show at the Kennedy Center. 

F-31 Tango Quintet

The F-31 Tango Quintet was formed in Medellín in 2011, following the initiative of local musicians who found in tango the expression of their urban experience. F-31's aesthetic is based on a knowledge of the history and tradition of tango, the interpretation and trends that marked tango’s evolution, and the study of composers who are key figures in this genre. Accordingly, F-31 proposes a dialogue between this historical foundation and the creative contribution provided by the musicians' academic training and their experience in various world music venues.

About Tango

What is it about tango that it has held its popularity across the globe for more than a century? Jorge Luis Borges, the famous Argentine writer, described tango as "feeling that is danced”.  It is this feeling that transcends national boundaries and different languages to make tango the world's most popular dance.  Before tango was considered a "classy" dance with its music played by the best symphonic orchestras in the world, tango music was heard only in the immigrant neighborhoods of Argentina and Uruguay, in bars as well as brothels.  At that time, in the 1880's, it was not romantic music. The tone was often dark and bitter with lyrics of political dissent. Where tango originated is often disputed but we do know that in its earliest forms in the 1890's, it was a derivation of the Cuban dance, the Habanera.   However, it was the people of the Rio de la Plata, with their distinctive speech cadences, that gave the music its pronounced patterns and rhythms -- a double beat, with a syncopated accent on the second.  The bandoneón was introduced to the tango in the early 1900's, by the European immigrants from Italy and Spain.  It made the music, up until then played with piano, harp, flute, and guitars, more portable, as the musicians performed primarily in bordellos.

Pan American Symphony Orchestra Personnel

Violin
Sonia Garcia, concertmaster
Valerie Heller
Christina Wan
Mary Thulson*
Carrie Esko
Tetyana Royzman
Alexandra Fisher
Wayman McCoy
Susan Worrell
Nicolas Ahumada

Viola
Susan Russo*
June Hahn
Claudia Saucedo
Ashley Santori

Cello
Alan Saucedo*
Michael Hermann
Tim Thulson
Emily Doveala

Bass
Pete Ostle*

Sound Engineer
Jeff Gruber

Librarian
Paige Turner

Staff

Staff for the Terrace Theater

Theater Manager Xiomara Mercado*

Head Usher Randy Howes

Production Manager Kate Roberts

Master Technicians Richard Haase and Susan Kelleher

Box Office Treasurer Ron Payne

atpam

*Represented by ATPAM, the Association of Theatrical Press Agents and Managers.

iatse 868

The box office at the Kennedy Center is represented by I.A.T.S.E, Local #868.

Steinway Piano Gallery is the exclusive area representative of Steinway & Sons and Boston pianos, the official pianos of the Kennedy Center.

iatse 22   iatse 772   iatse 798

The technicians at the Kennedy Center are represented by Local #22, Local #772,  and Local #798 I.A.T.S.E., AFL-CIO-CLC, the professional union of theatrical technicians.

Thank You Supporters

DC Commission on the Arts and Humanities

Latin American Music Center, Catholic University of America

Embassy of the Republic of Argentina

Embassy of Uruguay

The Mihir Desai  Foundation

Ellen Bass and Hon. Michael Farrell


Paula and Horacio Verdun

Kathy Whalen

Dr. Linda Macri

Dr. Yvonne Lai

Maureen Dunn

Hon. Eric Tijerina

Claudia Tordini

José Francisco de Leon

June Hahm

LeeAnn Rees

Robert Nussbaum

Miguel Cordova

Denise Vanison

Rafael Inoa

Dr. Maria Dufau Catt

Hans and Anita Amhrein

Gisela Josenhas

Anne Jones

Michael Spatola

Shalev Weinstein

William Spieler

James Schenkenberg

Eileen Lange

Dr. Elaine Kelley

Richard and Marianne Spagna

Sandra Scioville

Ruth and Robert Feist

Peter Wan

Kristin Snyder

Irina Zabell

Blanca Cedillas

Manuel Lisandro Knight

 

Volunteers

Claudia Salvador

Daphne Ostle

Daniela Ochoa

Maureen Carrington

Ana Sofia Girarte

Clara Blomberg Rodriguez