Arts Integration in Practice: Language Arts
Explore valuable arts integration connections to language.
What are some arts integration connections to language arts?
Classroom Examples
View Classroom Examples for integrating language arts and drama, history, and puppetry.
Focus on Dr. Martin Luther King Jr. Third grade students at Bailey's Elementary School (Fairfax County Public Schools, VA) were developing reading comprehension skills (determining importance, summarizing, making inferences) as they learned about the civil rights leader, Dr. Martin Luther King Jr. and his efforts to seek equal rights for all people. This slide show, with captions written by the third graders, follows their process during one 60- minute lesson.
To develop skills in making inferences from literature and history, fourth-grade students at Woodburn Elementary School (Fairfax County Public Schools, Virginia) created puppets and wrote and performed “inner monologues” spoken by historical figures,. This slide show, with captions written by the students, follows their process during five lessons.
First grade students at Abingdon Elementary School (Arlington Public Schools, VA) actively participated in storytelling with their teacher using a strategy called Tiny Toy Tales. Using a computer, they sequenced slides depicting story elements and retold the story focusing on story sequence, vocal expression, and descriptive details. This slide show follows their process through five 45-minute sessions.
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Teaching Artist Interviews
Meet four Kennedy Center teaching artists who provide examples of connections between language arts and visual narratives, poetry, musical composition, and dramatization.
Teaching inference is a critical reading comprehension skill. Lenore Blank Kelner describes ways to build students’ abilities to make thoughtful inferences through story dramatization.
Glenis Redmond believes that to discover the power of poetry, students must not only write and read poems, but also perform them. She gives all students, especially high-risk students, ways to connect with the imagery and rhythms of poetry through all three modes.
How can we support English language learners to develop language skills? Maria Barbosa involves students in creating visual narratives that build skills in sequencing, determining importance, and increase verbal fluency as well as cross-cultural understanding.
Deborah Sunya Moore’s work demonstrates how music has great potential for helping students understand and respond to poetry. Through the use of tempo, timbre, and dynamics, students compose music that captures the mood and meaning of the words.
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Editors & Producers
Lynne B. Silverstein Amy Duma Kenny Neal
Kennedy Center Teaching Artists
Lenore Blank Kelner is a Kennedy Center teaching artist who is a professional actress, theatre director, author, and educator. Ms. Kelner serves as an education consultant to the Maryland State Department of Education as well as school systems and schools nationwide and abroad. She has trained thousands of teachers in how to integrate drama into everyday classroom instruction. She has worked with students in all grade levels from Pre K through college. She has written three books on drama and education. Her first book, The Creative Classroom is in its 15th printing. Her most recent book, A Dramatic Approach to Reading Comprehension, which she co-authored, was published by Heinemann in 2006. She is the recipient of the 2004 Creative Drama Award from the American Alliance for Theatre and Education. lbkcompany.com
Glenis Redmond is a Kennedy Center teaching artist who is an award-winning performance poet, praise poet, educator, and writer from Greenville, South Carolina. As a Performance Poet, she has traveled both domestically and abroad for almost two decades working with children and adults—opening poetic doors to self-proclaimed poetry haters and speaking a kindred language to poetry lovers. Her work has been published in various literary journals including: The Tidal Basin Review, Meridians, Heartstone, Obsidian II: Black Literature in Review, Bum Rush the Page: Def Poetry Jam, and Poetry Slam: The Competitive Art of Performance. Ms. Redmond is the recipient of the North Carolina Literary Award and is a Cave Canem Fellow. She earned a MFA in Poetry from Warren Wilson College.
Maria Barbosa is a Kennedy Center teaching artist. She received a B.S. in Biology from USP, Brazil, and a Ph.D. in Botany from UC Riverside. Ms. Barbosa's work explores the ways language and signs liberate or pigeonhole individuals. Her installations and artist's books are exhibited nationally and internationally. Her work is in the collections of The National Institutes of Health, the Getty Research Institute, the Art Institute of Chicago, Cornell University, and The National Museum of Women in the Arts. She participates in Artist-in-Education programs in Maryland, and gives workshops on arts integration around the country. Ms. Barbosa teaches at the Maryland Artist/Teacher Institute (MATI) and at the Teaching Artists Institute (TAI) in Maryland.
Deborah Sunya Moore, a Kennedy Center teaching artist, is a percussionist and arts educator. She is currently an associate professor and arts education specialist for the University of Trinidad and Tobago. Ms. Moore was previously the director of education for the Louisville Orchestra and continues to perform regularly with the Chautauqua Symphony (NY). She was the artistic director (1999-2005) and percussionist (1996-2003) of Tales & Scales, a national touring quartet for youth. Ms. Moore has led professional development workshops and courses for organizations such as the Kravis Center, the Boston Symphony Orchestra, and the Kentucky Center for the Arts. She holds a bachelor’s degree from the Oberlin Conservatory and is completing a Master's in Education Curriculum and Instruction from the University of Cincinnati.
A selection of articles covering current approaches to arts integration in the classroom, inclusion, rigor, social-emotional learning, and adopting an arts integration approach at the school and district level.
Transform learning in inclusive arts-integrated classrooms. Educators can bolster engagement with arts integration by adapting time, classroom tools, and instructional techniques.
This collection of resources and articles is designed to help educators devise an approach for supporting individual needs in the classroom: from English Language Learners or students with disabilities, to conflict resolution and giving feedback.
Share these resources to help engage parents and caregivers in their students' arts education.
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The Vice President of Education is generously endowed by the A. James & Alice B. Clark Foundation.
Generous support for educational programs at the Kennedy Center is provided by the U.S. Department of Education.
Gifts and grants to educational programs at the Kennedy Center are provided by The Paul M. Angell Family Foundation; Bank of America; Capital One; The Morris and Gwendolyn Cafritz Foundation; Carnegie Corporation of New York; The Ednah Root Foundation; Genesis Inspiration Foundation; Harman Family Foundation; William R. Kenan, Jr. Charitable Trust; the Kimsey Endowment; The Kiplinger Foundation; Laird Norton Family Foundation; Lois and Richard England Family Foundation; Dr. Gary Mather and Ms. Christina Co Mather; The Markow Totevy Foundation; Dr. Gerald and Paula McNichols Foundation; The Morningstar Foundation; Myra and Leura Younker Endowment Fund; The Irene Pollin Audience Development and Community Engagement Initiatives;
Prince Charitable Trusts; Dr. Deborah Rose and Dr. Jan A. J. Stolwijk; Rosemary Kennedy Education Fund; The Embassy of the United Arab Emirates; The Victory Foundation; The Volgenau Foundation; Jackie Washington; GRoW @ Annenberg and Gregory Annenberg Weingarten and Family; and generous contributors to the Abe Fortas Memorial Fund and by a major gift to the fund from the late Carolyn E. Agger, widow of Abe Fortas. Additional support is provided by the National Committee for the Performing Arts..
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