1-2-3 Pantomime
with teaching artist Jamie Hipp

Teaching artist Jamie Hipp demonstrates the basics of creating a convincing pantomime by making specific choices with gesture and facial expressions.

 

Recommended for Grades K-12

In this resource you will:

  • Learn how to communicate nonverbally using  pantomime 
  • Watch and make observations about a pantomime performance 
  • Tell your own pantomime story using your body and facial expressions

Explore our other video-based activities!

Getting Started

Vocabulary You Will Learn:

  • Pantomime - Using gestures to communicate and tell a story.

Materials You Will Need:

  • Nothing, just yourself!

Watch the Video

Try It Yourself

How to Create Your Own Pantomime

  1. First, scroll to 1:55 in the video to watch Jamie’s first pantomime performance. Then think about her question: what story was she telling with her body? Is it difficult to tell? Why or why not?
  2. Next, watch her performance that happens at around 2:35 in the video, where she has added some specificity to the way she uses her body. Was this pantomime better than her first? Can you tell what object she was holding and how much it weighed? Could you tell what she did with the object and what happened after?
  1. Finally, watch Jamie’s final performance at around 3:50, where she adds facial expressions. What new information do you understand about the scene once she added these new details? How could you tell?
  2. Now, start thinking of ideas that you can use to create your own pantomime! How can you use your own gestures, body movements, and facial expressions to tell a clear and specific story?

Think About

In this video, Jamie demonstrates how to tell a story using the basics of pantomime, such as gesture and facial expression. If you want to go even further, think about these questions: 

  • What ideas did you come up with for your own pantomime? How can you use your body to perform the actions involved in your scene in a specific way, so that the audience can tell what is happening?
  • Think about adding facial expressions to your pantomime. How can you use your face to add even more specificity and detail to the scene?
  • Try performing your pantomime for a friend or family member. Can they accurately guess what is happening in the scene? If not, how can you make the pantomime even more clear?
  • At the beginning of the video, Jamie gives a few examples of how pantomime is used in real life. What other examples can you think of?

Accessibility

Don't forget that you can turn on "Closed Captioning" to view the YouTube video with English captions.

 

More about the Teaching Artist

Jamie Hipp, Ph.D., is an arts integration consultant, researcher, and teaching artist from Baton Rouge, Louisiana. Through her company, Arts Are Hipp–Creative Professional Development (www.artsarehipp.com), she provides teaching artist services to schools, school districts, cultural organizations, and nonprofits nationwide. Dr. Hipp is a former elementary theater educator and professional actress.


Video Activity Credits

Resource Production: Kennedy Center Education

Additional Content: Laurie Ascoli

Copy Editing: Sandra Frey; Alyssa Kariofyllis

Revisions: Alice Doré

  • Teaching Artist

    Jamie Hipp

  • Curriculum & Media Development

    Kennedy Center Education

  • Content Editor

    Laurie Ascoli

  • Revised

    December 16, 2024

Related Resources

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Media Rock, Paper, Scissors, Anything!

Teaching artist Donna Washington teaches students how to use creativity, pantomime, and improvisation to play a game that is a fun twist on Rock, Paper, Scissors!

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Prince Charitable Trusts; Dr. Deborah Rose and Dr. Jan A. J. Stolwijk; Rosemary Kennedy Education Fund; The Embassy of the United Arab Emirates; The Victory Foundation; The Volgenau Foundation; Jackie Washington; GRoW @ Annenberg and Gregory Annenberg Weingarten and Family; and generous contributors to the Abe Fortas Memorial Fund and by a major gift to the fund from the late Carolyn E. Agger, widow of Abe Fortas. Additional support is provided by the National Committee for the Performing Arts..

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